🚚 Free Worldwide Shipping on All Orders!Shop Now
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm
HomeStore

On Stage MBS-LP1 Low-Profile Broadcast Boom Arm

On Stage MBS-LP1 Low-Profile Broadcast Boom Arm

āļ‚āļēāļ•āļąāđ‰āļ‡āđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āđāļšāļšāđāļ‚āļ™āļˆāļąāļš MBS-LP1 Low-Profile Broadcast Boom Arm āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ„āļļāļ“āļˆāļąāļ”āļ•āļģāđāļŦāļ™āđˆāļ‡āđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĄāđˆāļĄāļĩāđ€āļŠāļĩāļĒāļ‡āļĢāļšāļāļ§āļ™ āļĢāļ§āļ”āđ€āļĢāđ‡āļ§ āđāļĨāļ°āļ‡āđˆāļēāļĒāļ”āļēāļĒ āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļšāļąāļ™āļ—āļķāļāļžāļ­āļ”āđāļ„āļŠāļ•āđŒ (Podcasts), āļ­āļ­āļāļ­āļēāļāļēāļĻāđ€āļ§āđ‡āļšāļ„āļēāļŠāļ•āđŒ (Webcasts), āđ„āļĨāļŸāđŒāļŠāļ•āļĢāļĩāļĄ (Live streams) āļŦāļĢāļ·āļ­āļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāđāļĨāļ°āļ—āļģāļ‡āļēāļ™āļ—āļēāļ‡āđ„āļāļĨ āļ”āđ‰āļ§āļĒāļ”āļĩāđ„āļ‹āļ™āđŒāļ—āļĩāđˆāļĒāļ·āđˆāļ™āļĄāļēāļˆāļēāļāļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡āđāļ—āļ™āļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āļ”āđ‰āļēāļ™āļšāļ™ āļ‚āļēāļ•āļąāđ‰āļ‡āđ„āļĄāļ„āđŒāļŠāđ„āļ•āļĨāđŒāļ™āļĩāđ‰āļˆāļ°āļŠāđˆāļ§āļĒāļĨāļ”āļāļēāļĢāļšāļ”āļšāļąāļ‡āļ—āļąāļĻāļ™āļ§āļīāļŠāļąāļĒāļ—āļąāđ‰āļ‡āļ•āđˆāļ­āļ•āļąāļ§āļ„āļļāļ“āđ€āļ­āļ‡āđāļĨāļ°āļœāļđāđ‰āļŠāļĄāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ”āļĩāđ€āļĒāļĩāđˆāļĒāļĄ

āļ›āļĨāļēāļĒāđāļ‚āļ™āļˆāļąāļšāļ”āđ‰āļēāļ™āļšāļ™āļĄāļēāļžāļĢāđ‰āļ­āļĄāđ€āļāļĨāļĩāļĒāļ§āļĄāļēāļ•āļĢāļāļēāļ™āļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļ‚āļ™āļēāļ” 5/8"-27 āļ‹āļķāđˆāļ‡āļĢāļ­āļ‡āļĢāļąāļšāļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļšāļ„āļĨāļīāļ›āļŦāļ™āļĩāļšāđ„āļĄāļ„āđŒāđāļĨāļ°āļŠāđ‡āļ­āļ„āđ€āļĄāļēāļ—āđŒāđ„āļ”āđ‰āļŦāļĨāļēāļāļŦāļĨāļēāļĒāļĢāļđāļ›āđāļšāļš āļ—āļąāđ‰āļ‡āļŠāļģāļŦāļĢāļąāļšāđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āđāļšāļšāđ„āļ”āļ™āļēāļĄāļīāļāđāļĨāļ°āļ„āļ­āļ™āđ€āļ”āļ™āđ€āļ‹āļ­āļĢāđŒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āļ āļēāļĒāđƒāļ™āļŠāļļāļ”āļĒāļąāļ‡āļĄāļēāļžāļĢāđ‰āļ­āļĄāļ­āļ°āđāļ”āļ›āđ€āļ•āļ­āļĢāđŒāļŠāļģāļŦāļĢāļąāļšāđ€āļĄāļēāļ—āđŒāļāļĨāđ‰āļ­āļ‡ āđāļĨāļ°āļ•āļąāļ§āđ€āļāļĨāļĩāļĒāļ§āļĒāļąāļ‡āļĢāļ­āļ‡āļĢāļąāļšāļ­āļļāļ›āļāļĢāļ“āđŒāđ€āļŠāļĢāļīāļĄāļ­āļ·āđˆāļ™āđ† āļ—āļĩāđˆāđƒāļŠāđ‰āđ€āļāļĨāļĩāļĒāļ§ 5/8"-27 āđ„āļ”āđ‰āļ­āļĩāļāļ”āđ‰āļ§āļĒ āđ€āļŠāđˆāļ™ āļ—āļĩāđˆāļˆāļąāļšāđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāļĄāļ·āļ­āļ–āļ·āļ­ āļ—āļĩāđˆāļˆāļąāļšāđāļ—āđ‡āļšāđ€āļĨāđ‡āļ• āļĢāļ§āļĄāļ–āļķāļ‡āđ„āļŸāļ§āļ‡āđāļŦāļ§āļ™ (Ring lights)

āļāļēāļĢāļˆāļąāļ”āļ•āļģāđāļŦāļ™āđˆāļ‡āļ—āļĩāđˆāđāļĄāđˆāļ™āļĒāļģāđāļĨāļ°āđ„āļĢāđ‰āđ€āļŠāļĩāļĒāļ‡āļĢāļšāļāļ§āļ™ (Precise & Quiet Positioning)

  • āļ›āļĢāļąāļšāļ­āļīāļŠāļĢāļ° 360 āļ­āļ‡āļĻāļē: āļ—āļąāđ‰āļ‡āđāļāļ™āļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡āđāļĨāļ°āļ”āđ‰āļēāļ™āļšāļ™āļŠāļēāļĄāļēāļĢāļ–āļŦāļĄāļļāļ™āļŠāļ§āļīāļ‡āđ„āļ”āđ‰āļĢāļ­āļšāļ—āļīāļĻāļ—āļēāļ‡

  • āļ›āļĢāļąāļšāļĄāļļāļĄāđ„āļ”āđ‰āļāļ§āđ‰āļēāļ‡: āđāļāļ™āļ”āđ‰āļēāļ™āļšāļ™āļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāļ­āļ‡āļĻāļēāđ„āļ”āđ‰āļ•āļąāđ‰āļ‡āđāļ•āđˆāđāļ™āļ§āļ•āļąāđ‰āļ‡āļ•āļĢāļ‡āđ„āļ›āļˆāļ™āļ–āļķāļ‡āđāļ™āļ§āļ™āļ­āļ™āļĢāļēāļš āđāļĨāļ°āļ­āļ‡āļĻāļēāļ‚āļ­āļ‡āļāđ‰āļēāļ™āļ•āļīāļ”āļ•āļąāđ‰āļ‡āļ­āļļāļ›āļāļĢāļ“āđŒāļāđ‡āļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāđāļ•āđˆāļ‡āđ„āļ”āđ‰āđ€āļŠāđˆāļ™āļāļąāļ™

  • āļĄāļąāđˆāļ™āļ„āļ‡āđāļĨāļ°āđ€āļ‡āļĩāļĒāļšāđ€āļŠāļĩāļĒāļš: āļ—āļļāļāļˆāļļāļ”āļŦāļĄāļļāļ™āļŠāļēāļĄāļēāļĢāļ–āļĨāđ‡āļ­āļ„āđƒāļŦāđ‰āđāļ™āđˆāļ™āļŦāļ™āļēāđ„āļ”āđ‰āļ”āđ‰āļ§āļĒāļĨāļđāļāļšāļīāļ”āđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāļĄāļąāđˆāļ™āļ„āļ‡āļ‚āļ­āļ‡āļ­āļļāļ›āļāļĢāļ“āđŒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ•āļģāđāļŦāļ™āđˆāļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āđ„āļ”āđ‰āļ—āļąāļ™āļ—āļĩāđāļšāļšāđ„āļĄāđˆāļĄāļĩāļŠāļ°āļ”āļļāļ” āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļšāļēāļ™āļžāļąāļšāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ­āļ­āļāđāļšāļšāļĄāļēāđƒāļŦāđ‰āļ—āļģāļ‡āļēāļ™āđ„āļ”āđ‰āđ€āļ‡āļĩāļĒāļšāļŠāļ™āļīāļ—

āļāļēāļĢāļˆāļąāļ”āļāļēāļĢāļŠāļēāļĒāđāļĨāļ°āļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡ (Cable Management & Mounting) āđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļĢāļ°āđ€āļšāļĩāļĒāļšāđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒ āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļ‹āđˆāļ­āļ™āļŠāļēāļĒāđ„āļĄāļ„āđŒāđ„āļ§āđ‰āđƒāļ™āļŠāđˆāļ­āļ‡āļ”āđ‰āļēāļ™āđƒāļ•āđ‰āļ‚āļ­āļ‡āđāļ‚āļ™āļˆāļąāļš āđāļĨāļ°āļĒāļķāļ”āļŠāļēāļĒāđƒāļŦāđ‰āļ­āļĒāļđāđˆāļāļąāļšāļ—āļĩāđˆāļ”āđ‰āļ§āļĒāļ„āļĨāļīāļ›āļŦāļ™āļĩāļšāļ—āļĩāđˆāđāļ–āļĄāļĄāļēāđƒāļŦāđ‰ āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡āļāļēāļ™āđ€āļ‚āđ‰āļēāļāļąāļšāđ‚āļ•āđŠāļ°āļ—āļģāļ‡āļēāļ™ āļĄāļĩāļ•āļąāļ§āđ€āļĨāļ·āļ­āļāđƒāļŦāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™ 2 āļĢāļđāļ›āđāļšāļš:

  1. āđāļ„āļĨāļĄāļ›āđŒāļĢāļđāļ›āļ•āļąāļ§āļ‹āļĩ (C-clamp): āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡āļ—āļĩāđˆāļĢāļ§āļ”āđ€āļĢāđ‡āļ§ āļŠāļēāļĄāļēāļĢāļ–āļĒāļķāļ”āđ€āļāļēāļ°āļāļąāļšāđ‚āļ•āđŠāļ°āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļŦāļ™āļēāđ„āļ”āđ‰āļŠāļđāļ‡āļŠāļļāļ” 2.5 āļ™āļīāđ‰āļ§āļ­āļĒāđˆāļēāļ‡āđāļ™āđˆāļ™āļŦāļ™āļē āļĄāļēāļžāļĢāđ‰āļ­āļĄāđāļœāđˆāļ™āļĒāļēāļ‡āļĢāļ­āļ‡āļ—āļĩāđˆāļŠāđˆāļ§āļĒāļ›āļāļ›āđ‰āļ­āļ‡āļžāļ·āđ‰āļ™āļœāļīāļ§āđ€āļŸāļ­āļĢāđŒāļ™āļīāđ€āļˆāļ­āļĢāđŒāđāļĨāļ°āļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāļĨāļ·āđˆāļ™āđ„āļ–āļĨ

  2. āļ•āļąāļ§āļĒāļķāļ”āđāļšāļšāļŦāļ™āđ‰āļēāđāļ›āļĨāļ™ (Flange mount): āļŠāļģāļŦāļĢāļąāļšāļĒāļķāļ”āļ”āđ‰āļ§āļĒāļ™āđ‡āļ­āļ•āđ€āļ‚āđ‰āļēāļāļąāļšāļžāļ·āđ‰āļ™āļœāļīāļ§āđ‚āļ•āđŠāļ° āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡āđāļšāļšāļāļķāđˆāļ‡āļ–āļēāļ§āļĢ

āļžāļāļžāļēāļŠāļ°āļ”āļ§āļāđāļĨāļ°āđāļ‚āđ‡āļ‡āđāļĢāļ‡āļ—āļ™āļ—āļēāļ™ (Portability & Build Quality) āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļžāļāļžāļēāļ­āļļāļ›āļāļĢāļ“āđŒāđ€āļŠāļĢāļīāļĄāļŠāļīāđ‰āļ™āļ™āļĩāđ‰āđ„āļ›āđƒāļŠāđ‰āđƒāļ™āļāļēāļĢāđāļŠāļ”āļ‡āļŦāļĢāļ·āļ­āļ‡āļēāļ™āļšāļąāļ™āļ—āļķāļāđ€āļŠāļĩāļĒāļ‡āļ™āļ­āļāļŠāļ–āļēāļ™āļ—āļĩāđˆāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļšāļēāļĒāđ† āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļŠāļēāļĄāļēāļĢāļ–āļžāļąāļšāđ€āļāđ‡āļšāđƒāļŦāđ‰āļĄāļĩāļ‚āļ™āļēāļ”āļāļ°āļ—āļąāļ”āļĢāļąāļ” āļŠāļ°āļ”āļ§āļāļ•āđˆāļ­āļāļēāļĢāļ‚āļ™āļĒāđ‰āļēāļĒ āđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļœāļĨāļīāļ•āļˆāļēāļāļžāļĨāļēāļŠāļ•āļīāļāļ—āļ™āļ—āļēāļ™āļŠāļđāļ‡ (Heavy-duty plastic) āļ•āļąāļ§āļ‚āļēāļ•āļąāđ‰āļ‡āļˆāļķāļ‡āļĄāļĩāļ™āđ‰āļģāļŦāļ™āļąāļāđ€āļšāļē āđāļ•āđˆāđƒāļŦāđ‰āļāļēāļĢāļĢāļ­āļ‡āļĢāļąāļšāļ—āļĩāđˆāļ›āļĨāļ­āļ”āļ āļąāļĒāđāļĨāļ°āđ€āļŠāļ·āđˆāļ­āļ–āļ·āļ­āđ„āļ”āđ‰āļŠāļģāļŦāļĢāļąāļšāđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āļŦāļĢāļ·āļ­āļ­āļļāļ›āļāļĢāļ“āđŒāļ—āļĩāđˆāļĄāļĩ āļ™āđ‰āļģāļŦāļ™āļąāļāļŠāļđāļ‡āļŠāļļāļ”āļ–āļķāļ‡ 3.5 āļ›āļ­āļ™āļ”āđŒ (āļ›āļĢāļ°āļĄāļēāļ“ 1.58 āļāļ.) āļ›āļīāļ”āļ—āđ‰āļēāļĒāļ”āđ‰āļ§āļĒāļžāļ·āđ‰āļ™āļœāļīāļ§āļŠāļĩāļ”āļģāļ„āļĨāļēāļŠāļŠāļīāļāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļāļąāļ™āđ„āļ”āđ‰āļ”āļĩāļāļąāļšāļ—āļļāļāđ€āļ§āļīāļĢāđŒāļāļŠāđ€āļ•āļŠāļąāļ™ āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļĄāļ·āļ­āļ­āļēāļŠāļĩāļžāđƒāļŦāđ‰āļāļąāļšāļŠāļ•āļđāļ”āļīāđ‚āļ­āļˆāļąāļ”āļĢāļēāļĒāļāļēāļĢāļ‚āļ­āļ‡āļ„āļļāļ“āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĨāļ‡āļ•āļąāļ§

The On-Stage MBS-LP1 Low-Profile Broadcast Boom Arm provides you with quiet, quick, and easy positioning of your microphone for recording podcasts, broadcasting webcasts and live streams, or participating in remote collaboration. Extending from below instead of above, this style of boom arm reduces visual obstruction for you and your viewers. The industry-standard 5/8"-27-threaded stem at the end of the upper arm accepts a wide range of clips and shock mounts for dynamic and condenser microphones. A camera-mount adapter is included, and the stem also supports other 5/8"-27-threaded accessories such as phone and tablet holders and ring lights. For versatile and precise mic placement, the lower and upper shafts both swivel 360 degrees, while the upper shaft adjusts in angle from straight up to fully horizontal. Plus, the angle of the mounting stem is also adjustable. All of these settings lock in place using tightening knobs to ensure the stability of your equipment. Adjustments can be made on the fly, as the hinges are very quiet. For a neat and organized setup, you can route your mic cable inside the channels in the underside of the arm and hold it in place with the included clips. To attach the base to your desk, table, or workstation, there are two options included: a C-clamp for quick setup and a flange mount. The clamp firmly grips your tabletop or desktop measuring up to 2.5" thick and features rubber padding that protects the finish of your furniture while ensuring slip-free placement. The flange mount screws into your work surface if you prefer a semipermanent installation. You can take this portable accessory with you to performances and recording gigs, as it folds down for compact storage and ease of transportation. Constructed of heavy-duty plastic, the boom arm is lightweight yet delivers safe, reliable support for your mics and devices weighing up to 3.5 pounds. Its classic black finish looks great on any workstation, plus it blends into your broadcast or recording-studio setup to add to a professional presentation.

Features

  • Enables you to reposition your mic quietly for improved audio-production quality  
  • Accepts your 5/8"-27-threaded mic clips, shock mounts, camera mounts, and ring lights 
  • Delivers stable support for your mics, cameras, and other devices weighing up to 3.5 pounds 
  • Keeps your mic cable neat and organized for a professional presentation 
  • Provides you with options for quick setup or semipermanent installation

SPECS

  • Clamp Opening: 0-2.5"
  • Color: Black
  • Includes: Cable-management clips and camera-mount adapter
  • Lower Shaft Length: 13.5"
  • Mounting Stem Threading: 5/8"-27
  • Tubing Outer Dimensions: 1" x 1.14"
  • Upper Shaft Length: 15.5"
  • Weight Capacity: 3.5 lb
$69.48
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm—
$69.48

More Images

On Stage MBS-LP1 Low-Profile Broadcast Boom Arm - Image 2
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm - Image 3
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm - Image 4
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm - Image 5
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm - Image 6
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm - Image 7
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm - Image 8
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm - Image 9
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm - Image 10
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm - Image 11

On Stage MBS-LP1 Low-Profile Broadcast Boom Arm

āļ‚āļēāļ•āļąāđ‰āļ‡āđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āđāļšāļšāđāļ‚āļ™āļˆāļąāļš MBS-LP1 Low-Profile Broadcast Boom Arm āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ„āļļāļ“āļˆāļąāļ”āļ•āļģāđāļŦāļ™āđˆāļ‡āđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĄāđˆāļĄāļĩāđ€āļŠāļĩāļĒāļ‡āļĢāļšāļāļ§āļ™ āļĢāļ§āļ”āđ€āļĢāđ‡āļ§ āđāļĨāļ°āļ‡āđˆāļēāļĒāļ”āļēāļĒ āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļšāļąāļ™āļ—āļķāļāļžāļ­āļ”āđāļ„āļŠāļ•āđŒ (Podcasts), āļ­āļ­āļāļ­āļēāļāļēāļĻāđ€āļ§āđ‡āļšāļ„āļēāļŠāļ•āđŒ (Webcasts), āđ„āļĨāļŸāđŒāļŠāļ•āļĢāļĩāļĄ (Live streams) āļŦāļĢāļ·āļ­āļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāđāļĨāļ°āļ—āļģāļ‡āļēāļ™āļ—āļēāļ‡āđ„āļāļĨ āļ”āđ‰āļ§āļĒāļ”āļĩāđ„āļ‹āļ™āđŒāļ—āļĩāđˆāļĒāļ·āđˆāļ™āļĄāļēāļˆāļēāļāļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡āđāļ—āļ™āļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āļ”āđ‰āļēāļ™āļšāļ™ āļ‚āļēāļ•āļąāđ‰āļ‡āđ„āļĄāļ„āđŒāļŠāđ„āļ•āļĨāđŒāļ™āļĩāđ‰āļˆāļ°āļŠāđˆāļ§āļĒāļĨāļ”āļāļēāļĢāļšāļ”āļšāļąāļ‡āļ—āļąāļĻāļ™āļ§āļīāļŠāļąāļĒāļ—āļąāđ‰āļ‡āļ•āđˆāļ­āļ•āļąāļ§āļ„āļļāļ“āđ€āļ­āļ‡āđāļĨāļ°āļœāļđāđ‰āļŠāļĄāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ”āļĩāđ€āļĒāļĩāđˆāļĒāļĄ

āļ›āļĨāļēāļĒāđāļ‚āļ™āļˆāļąāļšāļ”āđ‰āļēāļ™āļšāļ™āļĄāļēāļžāļĢāđ‰āļ­āļĄāđ€āļāļĨāļĩāļĒāļ§āļĄāļēāļ•āļĢāļāļēāļ™āļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļ‚āļ™āļēāļ” 5/8"-27 āļ‹āļķāđˆāļ‡āļĢāļ­āļ‡āļĢāļąāļšāļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļšāļ„āļĨāļīāļ›āļŦāļ™āļĩāļšāđ„āļĄāļ„āđŒāđāļĨāļ°āļŠāđ‡āļ­āļ„āđ€āļĄāļēāļ—āđŒāđ„āļ”āđ‰āļŦāļĨāļēāļāļŦāļĨāļēāļĒāļĢāļđāļ›āđāļšāļš āļ—āļąāđ‰āļ‡āļŠāļģāļŦāļĢāļąāļšāđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āđāļšāļšāđ„āļ”āļ™āļēāļĄāļīāļāđāļĨāļ°āļ„āļ­āļ™āđ€āļ”āļ™āđ€āļ‹āļ­āļĢāđŒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āļ āļēāļĒāđƒāļ™āļŠāļļāļ”āļĒāļąāļ‡āļĄāļēāļžāļĢāđ‰āļ­āļĄāļ­āļ°āđāļ”āļ›āđ€āļ•āļ­āļĢāđŒāļŠāļģāļŦāļĢāļąāļšāđ€āļĄāļēāļ—āđŒāļāļĨāđ‰āļ­āļ‡ āđāļĨāļ°āļ•āļąāļ§āđ€āļāļĨāļĩāļĒāļ§āļĒāļąāļ‡āļĢāļ­āļ‡āļĢāļąāļšāļ­āļļāļ›āļāļĢāļ“āđŒāđ€āļŠāļĢāļīāļĄāļ­āļ·āđˆāļ™āđ† āļ—āļĩāđˆāđƒāļŠāđ‰āđ€āļāļĨāļĩāļĒāļ§ 5/8"-27 āđ„āļ”āđ‰āļ­āļĩāļāļ”āđ‰āļ§āļĒ āđ€āļŠāđˆāļ™ āļ—āļĩāđˆāļˆāļąāļšāđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāļĄāļ·āļ­āļ–āļ·āļ­ āļ—āļĩāđˆāļˆāļąāļšāđāļ—āđ‡āļšāđ€āļĨāđ‡āļ• āļĢāļ§āļĄāļ–āļķāļ‡āđ„āļŸāļ§āļ‡āđāļŦāļ§āļ™ (Ring lights)

āļāļēāļĢāļˆāļąāļ”āļ•āļģāđāļŦāļ™āđˆāļ‡āļ—āļĩāđˆāđāļĄāđˆāļ™āļĒāļģāđāļĨāļ°āđ„āļĢāđ‰āđ€āļŠāļĩāļĒāļ‡āļĢāļšāļāļ§āļ™ (Precise & Quiet Positioning)

  • āļ›āļĢāļąāļšāļ­āļīāļŠāļĢāļ° 360 āļ­āļ‡āļĻāļē: āļ—āļąāđ‰āļ‡āđāļāļ™āļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡āđāļĨāļ°āļ”āđ‰āļēāļ™āļšāļ™āļŠāļēāļĄāļēāļĢāļ–āļŦāļĄāļļāļ™āļŠāļ§āļīāļ‡āđ„āļ”āđ‰āļĢāļ­āļšāļ—āļīāļĻāļ—āļēāļ‡

  • āļ›āļĢāļąāļšāļĄāļļāļĄāđ„āļ”āđ‰āļāļ§āđ‰āļēāļ‡: āđāļāļ™āļ”āđ‰āļēāļ™āļšāļ™āļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāļ­āļ‡āļĻāļēāđ„āļ”āđ‰āļ•āļąāđ‰āļ‡āđāļ•āđˆāđāļ™āļ§āļ•āļąāđ‰āļ‡āļ•āļĢāļ‡āđ„āļ›āļˆāļ™āļ–āļķāļ‡āđāļ™āļ§āļ™āļ­āļ™āļĢāļēāļš āđāļĨāļ°āļ­āļ‡āļĻāļēāļ‚āļ­āļ‡āļāđ‰āļēāļ™āļ•āļīāļ”āļ•āļąāđ‰āļ‡āļ­āļļāļ›āļāļĢāļ“āđŒāļāđ‡āļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāđāļ•āđˆāļ‡āđ„āļ”āđ‰āđ€āļŠāđˆāļ™āļāļąāļ™

  • āļĄāļąāđˆāļ™āļ„āļ‡āđāļĨāļ°āđ€āļ‡āļĩāļĒāļšāđ€āļŠāļĩāļĒāļš: āļ—āļļāļāļˆāļļāļ”āļŦāļĄāļļāļ™āļŠāļēāļĄāļēāļĢāļ–āļĨāđ‡āļ­āļ„āđƒāļŦāđ‰āđāļ™āđˆāļ™āļŦāļ™āļēāđ„āļ”āđ‰āļ”āđ‰āļ§āļĒāļĨāļđāļāļšāļīāļ”āđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāļĄāļąāđˆāļ™āļ„āļ‡āļ‚āļ­āļ‡āļ­āļļāļ›āļāļĢāļ“āđŒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ•āļģāđāļŦāļ™āđˆāļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āđ„āļ”āđ‰āļ—āļąāļ™āļ—āļĩāđāļšāļšāđ„āļĄāđˆāļĄāļĩāļŠāļ°āļ”āļļāļ” āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļšāļēāļ™āļžāļąāļšāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ­āļ­āļāđāļšāļšāļĄāļēāđƒāļŦāđ‰āļ—āļģāļ‡āļēāļ™āđ„āļ”āđ‰āđ€āļ‡āļĩāļĒāļšāļŠāļ™āļīāļ—

āļāļēāļĢāļˆāļąāļ”āļāļēāļĢāļŠāļēāļĒāđāļĨāļ°āļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡ (Cable Management & Mounting) āđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļĢāļ°āđ€āļšāļĩāļĒāļšāđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒ āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļ‹āđˆāļ­āļ™āļŠāļēāļĒāđ„āļĄāļ„āđŒāđ„āļ§āđ‰āđƒāļ™āļŠāđˆāļ­āļ‡āļ”āđ‰āļēāļ™āđƒāļ•āđ‰āļ‚āļ­āļ‡āđāļ‚āļ™āļˆāļąāļš āđāļĨāļ°āļĒāļķāļ”āļŠāļēāļĒāđƒāļŦāđ‰āļ­āļĒāļđāđˆāļāļąāļšāļ—āļĩāđˆāļ”āđ‰āļ§āļĒāļ„āļĨāļīāļ›āļŦāļ™āļĩāļšāļ—āļĩāđˆāđāļ–āļĄāļĄāļēāđƒāļŦāđ‰ āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡āļāļēāļ™āđ€āļ‚āđ‰āļēāļāļąāļšāđ‚āļ•āđŠāļ°āļ—āļģāļ‡āļēāļ™ āļĄāļĩāļ•āļąāļ§āđ€āļĨāļ·āļ­āļāđƒāļŦāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™ 2 āļĢāļđāļ›āđāļšāļš:

  1. āđāļ„āļĨāļĄāļ›āđŒāļĢāļđāļ›āļ•āļąāļ§āļ‹āļĩ (C-clamp): āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡āļ—āļĩāđˆāļĢāļ§āļ”āđ€āļĢāđ‡āļ§ āļŠāļēāļĄāļēāļĢāļ–āļĒāļķāļ”āđ€āļāļēāļ°āļāļąāļšāđ‚āļ•āđŠāļ°āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļŦāļ™āļēāđ„āļ”āđ‰āļŠāļđāļ‡āļŠāļļāļ” 2.5 āļ™āļīāđ‰āļ§āļ­āļĒāđˆāļēāļ‡āđāļ™āđˆāļ™āļŦāļ™āļē āļĄāļēāļžāļĢāđ‰āļ­āļĄāđāļœāđˆāļ™āļĒāļēāļ‡āļĢāļ­āļ‡āļ—āļĩāđˆāļŠāđˆāļ§āļĒāļ›āļāļ›āđ‰āļ­āļ‡āļžāļ·āđ‰āļ™āļœāļīāļ§āđ€āļŸāļ­āļĢāđŒāļ™āļīāđ€āļˆāļ­āļĢāđŒāđāļĨāļ°āļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāļĨāļ·āđˆāļ™āđ„āļ–āļĨ

  2. āļ•āļąāļ§āļĒāļķāļ”āđāļšāļšāļŦāļ™āđ‰āļēāđāļ›āļĨāļ™ (Flange mount): āļŠāļģāļŦāļĢāļąāļšāļĒāļķāļ”āļ”āđ‰āļ§āļĒāļ™āđ‡āļ­āļ•āđ€āļ‚āđ‰āļēāļāļąāļšāļžāļ·āđ‰āļ™āļœāļīāļ§āđ‚āļ•āđŠāļ° āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡āđāļšāļšāļāļķāđˆāļ‡āļ–āļēāļ§āļĢ

āļžāļāļžāļēāļŠāļ°āļ”āļ§āļāđāļĨāļ°āđāļ‚āđ‡āļ‡āđāļĢāļ‡āļ—āļ™āļ—āļēāļ™ (Portability & Build Quality) āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļžāļāļžāļēāļ­āļļāļ›āļāļĢāļ“āđŒāđ€āļŠāļĢāļīāļĄāļŠāļīāđ‰āļ™āļ™āļĩāđ‰āđ„āļ›āđƒāļŠāđ‰āđƒāļ™āļāļēāļĢāđāļŠāļ”āļ‡āļŦāļĢāļ·āļ­āļ‡āļēāļ™āļšāļąāļ™āļ—āļķāļāđ€āļŠāļĩāļĒāļ‡āļ™āļ­āļāļŠāļ–āļēāļ™āļ—āļĩāđˆāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļšāļēāļĒāđ† āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļŠāļēāļĄāļēāļĢāļ–āļžāļąāļšāđ€āļāđ‡āļšāđƒāļŦāđ‰āļĄāļĩāļ‚āļ™āļēāļ”āļāļ°āļ—āļąāļ”āļĢāļąāļ” āļŠāļ°āļ”āļ§āļāļ•āđˆāļ­āļāļēāļĢāļ‚āļ™āļĒāđ‰āļēāļĒ āđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļœāļĨāļīāļ•āļˆāļēāļāļžāļĨāļēāļŠāļ•āļīāļāļ—āļ™āļ—āļēāļ™āļŠāļđāļ‡ (Heavy-duty plastic) āļ•āļąāļ§āļ‚āļēāļ•āļąāđ‰āļ‡āļˆāļķāļ‡āļĄāļĩāļ™āđ‰āļģāļŦāļ™āļąāļāđ€āļšāļē āđāļ•āđˆāđƒāļŦāđ‰āļāļēāļĢāļĢāļ­āļ‡āļĢāļąāļšāļ—āļĩāđˆāļ›āļĨāļ­āļ”āļ āļąāļĒāđāļĨāļ°āđ€āļŠāļ·āđˆāļ­āļ–āļ·āļ­āđ„āļ”āđ‰āļŠāļģāļŦāļĢāļąāļšāđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āļŦāļĢāļ·āļ­āļ­āļļāļ›āļāļĢāļ“āđŒāļ—āļĩāđˆāļĄāļĩ āļ™āđ‰āļģāļŦāļ™āļąāļāļŠāļđāļ‡āļŠāļļāļ”āļ–āļķāļ‡ 3.5 āļ›āļ­āļ™āļ”āđŒ (āļ›āļĢāļ°āļĄāļēāļ“ 1.58 āļāļ.) āļ›āļīāļ”āļ—āđ‰āļēāļĒāļ”āđ‰āļ§āļĒāļžāļ·āđ‰āļ™āļœāļīāļ§āļŠāļĩāļ”āļģāļ„āļĨāļēāļŠāļŠāļīāļāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļāļąāļ™āđ„āļ”āđ‰āļ”āļĩāļāļąāļšāļ—āļļāļāđ€āļ§āļīāļĢāđŒāļāļŠāđ€āļ•āļŠāļąāļ™ āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļĄāļ·āļ­āļ­āļēāļŠāļĩāļžāđƒāļŦāđ‰āļāļąāļšāļŠāļ•āļđāļ”āļīāđ‚āļ­āļˆāļąāļ”āļĢāļēāļĒāļāļēāļĢāļ‚āļ­āļ‡āļ„āļļāļ“āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĨāļ‡āļ•āļąāļ§

The On-Stage MBS-LP1 Low-Profile Broadcast Boom Arm provides you with quiet, quick, and easy positioning of your microphone for recording podcasts, broadcasting webcasts and live streams, or participating in remote collaboration. Extending from below instead of above, this style of boom arm reduces visual obstruction for you and your viewers. The industry-standard 5/8"-27-threaded stem at the end of the upper arm accepts a wide range of clips and shock mounts for dynamic and condenser microphones. A camera-mount adapter is included, and the stem also supports other 5/8"-27-threaded accessories such as phone and tablet holders and ring lights. For versatile and precise mic placement, the lower and upper shafts both swivel 360 degrees, while the upper shaft adjusts in angle from straight up to fully horizontal. Plus, the angle of the mounting stem is also adjustable. All of these settings lock in place using tightening knobs to ensure the stability of your equipment. Adjustments can be made on the fly, as the hinges are very quiet. For a neat and organized setup, you can route your mic cable inside the channels in the underside of the arm and hold it in place with the included clips. To attach the base to your desk, table, or workstation, there are two options included: a C-clamp for quick setup and a flange mount. The clamp firmly grips your tabletop or desktop measuring up to 2.5" thick and features rubber padding that protects the finish of your furniture while ensuring slip-free placement. The flange mount screws into your work surface if you prefer a semipermanent installation. You can take this portable accessory with you to performances and recording gigs, as it folds down for compact storage and ease of transportation. Constructed of heavy-duty plastic, the boom arm is lightweight yet delivers safe, reliable support for your mics and devices weighing up to 3.5 pounds. Its classic black finish looks great on any workstation, plus it blends into your broadcast or recording-studio setup to add to a professional presentation.

Features

  • Enables you to reposition your mic quietly for improved audio-production quality  
  • Accepts your 5/8"-27-threaded mic clips, shock mounts, camera mounts, and ring lights 
  • Delivers stable support for your mics, cameras, and other devices weighing up to 3.5 pounds 
  • Keeps your mic cable neat and organized for a professional presentation 
  • Provides you with options for quick setup or semipermanent installation

SPECS

  • Clamp Opening: 0-2.5"
  • Color: Black
  • Includes: Cable-management clips and camera-mount adapter
  • Lower Shaft Length: 13.5"
  • Mounting Stem Threading: 5/8"-27
  • Tubing Outer Dimensions: 1" x 1.14"
  • Upper Shaft Length: 15.5"
  • Weight Capacity: 3.5 lb

Product Information

Shipping & Returns

Description

āļ‚āļēāļ•āļąāđ‰āļ‡āđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āđāļšāļšāđāļ‚āļ™āļˆāļąāļš MBS-LP1 Low-Profile Broadcast Boom Arm āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ„āļļāļ“āļˆāļąāļ”āļ•āļģāđāļŦāļ™āđˆāļ‡āđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĄāđˆāļĄāļĩāđ€āļŠāļĩāļĒāļ‡āļĢāļšāļāļ§āļ™ āļĢāļ§āļ”āđ€āļĢāđ‡āļ§ āđāļĨāļ°āļ‡āđˆāļēāļĒāļ”āļēāļĒ āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļšāļąāļ™āļ—āļķāļāļžāļ­āļ”āđāļ„āļŠāļ•āđŒ (Podcasts), āļ­āļ­āļāļ­āļēāļāļēāļĻāđ€āļ§āđ‡āļšāļ„āļēāļŠāļ•āđŒ (Webcasts), āđ„āļĨāļŸāđŒāļŠāļ•āļĢāļĩāļĄ (Live streams) āļŦāļĢāļ·āļ­āļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāđāļĨāļ°āļ—āļģāļ‡āļēāļ™āļ—āļēāļ‡āđ„āļāļĨ āļ”āđ‰āļ§āļĒāļ”āļĩāđ„āļ‹āļ™āđŒāļ—āļĩāđˆāļĒāļ·āđˆāļ™āļĄāļēāļˆāļēāļāļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡āđāļ—āļ™āļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āļ”āđ‰āļēāļ™āļšāļ™ āļ‚āļēāļ•āļąāđ‰āļ‡āđ„āļĄāļ„āđŒāļŠāđ„āļ•āļĨāđŒāļ™āļĩāđ‰āļˆāļ°āļŠāđˆāļ§āļĒāļĨāļ”āļāļēāļĢāļšāļ”āļšāļąāļ‡āļ—āļąāļĻāļ™āļ§āļīāļŠāļąāļĒāļ—āļąāđ‰āļ‡āļ•āđˆāļ­āļ•āļąāļ§āļ„āļļāļ“āđ€āļ­āļ‡āđāļĨāļ°āļœāļđāđ‰āļŠāļĄāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ”āļĩāđ€āļĒāļĩāđˆāļĒāļĄ

āļ›āļĨāļēāļĒāđāļ‚āļ™āļˆāļąāļšāļ”āđ‰āļēāļ™āļšāļ™āļĄāļēāļžāļĢāđ‰āļ­āļĄāđ€āļāļĨāļĩāļĒāļ§āļĄāļēāļ•āļĢāļāļēāļ™āļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļ‚āļ™āļēāļ” 5/8"-27 āļ‹āļķāđˆāļ‡āļĢāļ­āļ‡āļĢāļąāļšāļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļšāļ„āļĨāļīāļ›āļŦāļ™āļĩāļšāđ„āļĄāļ„āđŒāđāļĨāļ°āļŠāđ‡āļ­āļ„āđ€āļĄāļēāļ—āđŒāđ„āļ”āđ‰āļŦāļĨāļēāļāļŦāļĨāļēāļĒāļĢāļđāļ›āđāļšāļš āļ—āļąāđ‰āļ‡āļŠāļģāļŦāļĢāļąāļšāđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āđāļšāļšāđ„āļ”āļ™āļēāļĄāļīāļāđāļĨāļ°āļ„āļ­āļ™āđ€āļ”āļ™āđ€āļ‹āļ­āļĢāđŒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āļ āļēāļĒāđƒāļ™āļŠāļļāļ”āļĒāļąāļ‡āļĄāļēāļžāļĢāđ‰āļ­āļĄāļ­āļ°āđāļ”āļ›āđ€āļ•āļ­āļĢāđŒāļŠāļģāļŦāļĢāļąāļšāđ€āļĄāļēāļ—āđŒāļāļĨāđ‰āļ­āļ‡ āđāļĨāļ°āļ•āļąāļ§āđ€āļāļĨāļĩāļĒāļ§āļĒāļąāļ‡āļĢāļ­āļ‡āļĢāļąāļšāļ­āļļāļ›āļāļĢāļ“āđŒāđ€āļŠāļĢāļīāļĄāļ­āļ·āđˆāļ™āđ† āļ—āļĩāđˆāđƒāļŠāđ‰āđ€āļāļĨāļĩāļĒāļ§ 5/8"-27 āđ„āļ”āđ‰āļ­āļĩāļāļ”āđ‰āļ§āļĒ āđ€āļŠāđˆāļ™ āļ—āļĩāđˆāļˆāļąāļšāđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāļĄāļ·āļ­āļ–āļ·āļ­ āļ—āļĩāđˆāļˆāļąāļšāđāļ—āđ‡āļšāđ€āļĨāđ‡āļ• āļĢāļ§āļĄāļ–āļķāļ‡āđ„āļŸāļ§āļ‡āđāļŦāļ§āļ™ (Ring lights)

āļāļēāļĢāļˆāļąāļ”āļ•āļģāđāļŦāļ™āđˆāļ‡āļ—āļĩāđˆāđāļĄāđˆāļ™āļĒāļģāđāļĨāļ°āđ„āļĢāđ‰āđ€āļŠāļĩāļĒāļ‡āļĢāļšāļāļ§āļ™ (Precise & Quiet Positioning)

  • āļ›āļĢāļąāļšāļ­āļīāļŠāļĢāļ° 360 āļ­āļ‡āļĻāļē: āļ—āļąāđ‰āļ‡āđāļāļ™āļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡āđāļĨāļ°āļ”āđ‰āļēāļ™āļšāļ™āļŠāļēāļĄāļēāļĢāļ–āļŦāļĄāļļāļ™āļŠāļ§āļīāļ‡āđ„āļ”āđ‰āļĢāļ­āļšāļ—āļīāļĻāļ—āļēāļ‡

  • āļ›āļĢāļąāļšāļĄāļļāļĄāđ„āļ”āđ‰āļāļ§āđ‰āļēāļ‡: āđāļāļ™āļ”āđ‰āļēāļ™āļšāļ™āļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāļ­āļ‡āļĻāļēāđ„āļ”āđ‰āļ•āļąāđ‰āļ‡āđāļ•āđˆāđāļ™āļ§āļ•āļąāđ‰āļ‡āļ•āļĢāļ‡āđ„āļ›āļˆāļ™āļ–āļķāļ‡āđāļ™āļ§āļ™āļ­āļ™āļĢāļēāļš āđāļĨāļ°āļ­āļ‡āļĻāļēāļ‚āļ­āļ‡āļāđ‰āļēāļ™āļ•āļīāļ”āļ•āļąāđ‰āļ‡āļ­āļļāļ›āļāļĢāļ“āđŒāļāđ‡āļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāđāļ•āđˆāļ‡āđ„āļ”āđ‰āđ€āļŠāđˆāļ™āļāļąāļ™

  • āļĄāļąāđˆāļ™āļ„āļ‡āđāļĨāļ°āđ€āļ‡āļĩāļĒāļšāđ€āļŠāļĩāļĒāļš: āļ—āļļāļāļˆāļļāļ”āļŦāļĄāļļāļ™āļŠāļēāļĄāļēāļĢāļ–āļĨāđ‡āļ­āļ„āđƒāļŦāđ‰āđāļ™āđˆāļ™āļŦāļ™āļēāđ„āļ”āđ‰āļ”āđ‰āļ§āļĒāļĨāļđāļāļšāļīāļ”āđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāļĄāļąāđˆāļ™āļ„āļ‡āļ‚āļ­āļ‡āļ­āļļāļ›āļāļĢāļ“āđŒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ•āļģāđāļŦāļ™āđˆāļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āđ„āļ”āđ‰āļ—āļąāļ™āļ—āļĩāđāļšāļšāđ„āļĄāđˆāļĄāļĩāļŠāļ°āļ”āļļāļ” āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļšāļēāļ™āļžāļąāļšāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ­āļ­āļāđāļšāļšāļĄāļēāđƒāļŦāđ‰āļ—āļģāļ‡āļēāļ™āđ„āļ”āđ‰āđ€āļ‡āļĩāļĒāļšāļŠāļ™āļīāļ—

āļāļēāļĢāļˆāļąāļ”āļāļēāļĢāļŠāļēāļĒāđāļĨāļ°āļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡ (Cable Management & Mounting) āđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļĢāļ°āđ€āļšāļĩāļĒāļšāđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒ āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļ‹āđˆāļ­āļ™āļŠāļēāļĒāđ„āļĄāļ„āđŒāđ„āļ§āđ‰āđƒāļ™āļŠāđˆāļ­āļ‡āļ”āđ‰āļēāļ™āđƒāļ•āđ‰āļ‚āļ­āļ‡āđāļ‚āļ™āļˆāļąāļš āđāļĨāļ°āļĒāļķāļ”āļŠāļēāļĒāđƒāļŦāđ‰āļ­āļĒāļđāđˆāļāļąāļšāļ—āļĩāđˆāļ”āđ‰āļ§āļĒāļ„āļĨāļīāļ›āļŦāļ™āļĩāļšāļ—āļĩāđˆāđāļ–āļĄāļĄāļēāđƒāļŦāđ‰ āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡āļāļēāļ™āđ€āļ‚āđ‰āļēāļāļąāļšāđ‚āļ•āđŠāļ°āļ—āļģāļ‡āļēāļ™ āļĄāļĩāļ•āļąāļ§āđ€āļĨāļ·āļ­āļāđƒāļŦāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™ 2 āļĢāļđāļ›āđāļšāļš:

  1. āđāļ„āļĨāļĄāļ›āđŒāļĢāļđāļ›āļ•āļąāļ§āļ‹āļĩ (C-clamp): āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡āļ—āļĩāđˆāļĢāļ§āļ”āđ€āļĢāđ‡āļ§ āļŠāļēāļĄāļēāļĢāļ–āļĒāļķāļ”āđ€āļāļēāļ°āļāļąāļšāđ‚āļ•āđŠāļ°āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļŦāļ™āļēāđ„āļ”āđ‰āļŠāļđāļ‡āļŠāļļāļ” 2.5 āļ™āļīāđ‰āļ§āļ­āļĒāđˆāļēāļ‡āđāļ™āđˆāļ™āļŦāļ™āļē āļĄāļēāļžāļĢāđ‰āļ­āļĄāđāļœāđˆāļ™āļĒāļēāļ‡āļĢāļ­āļ‡āļ—āļĩāđˆāļŠāđˆāļ§āļĒāļ›āļāļ›āđ‰āļ­āļ‡āļžāļ·āđ‰āļ™āļœāļīāļ§āđ€āļŸāļ­āļĢāđŒāļ™āļīāđ€āļˆāļ­āļĢāđŒāđāļĨāļ°āļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāļĨāļ·āđˆāļ™āđ„āļ–āļĨ

  2. āļ•āļąāļ§āļĒāļķāļ”āđāļšāļšāļŦāļ™āđ‰āļēāđāļ›āļĨāļ™ (Flange mount): āļŠāļģāļŦāļĢāļąāļšāļĒāļķāļ”āļ”āđ‰āļ§āļĒāļ™āđ‡āļ­āļ•āđ€āļ‚āđ‰āļēāļāļąāļšāļžāļ·āđ‰āļ™āļœāļīāļ§āđ‚āļ•āđŠāļ° āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļāļēāļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡āđāļšāļšāļāļķāđˆāļ‡āļ–āļēāļ§āļĢ

āļžāļāļžāļēāļŠāļ°āļ”āļ§āļāđāļĨāļ°āđāļ‚āđ‡āļ‡āđāļĢāļ‡āļ—āļ™āļ—āļēāļ™ (Portability & Build Quality) āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļžāļāļžāļēāļ­āļļāļ›āļāļĢāļ“āđŒāđ€āļŠāļĢāļīāļĄāļŠāļīāđ‰āļ™āļ™āļĩāđ‰āđ„āļ›āđƒāļŠāđ‰āđƒāļ™āļāļēāļĢāđāļŠāļ”āļ‡āļŦāļĢāļ·āļ­āļ‡āļēāļ™āļšāļąāļ™āļ—āļķāļāđ€āļŠāļĩāļĒāļ‡āļ™āļ­āļāļŠāļ–āļēāļ™āļ—āļĩāđˆāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļšāļēāļĒāđ† āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļŠāļēāļĄāļēāļĢāļ–āļžāļąāļšāđ€āļāđ‡āļšāđƒāļŦāđ‰āļĄāļĩāļ‚āļ™āļēāļ”āļāļ°āļ—āļąāļ”āļĢāļąāļ” āļŠāļ°āļ”āļ§āļāļ•āđˆāļ­āļāļēāļĢāļ‚āļ™āļĒāđ‰āļēāļĒ āđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļœāļĨāļīāļ•āļˆāļēāļāļžāļĨāļēāļŠāļ•āļīāļāļ—āļ™āļ—āļēāļ™āļŠāļđāļ‡ (Heavy-duty plastic) āļ•āļąāļ§āļ‚āļēāļ•āļąāđ‰āļ‡āļˆāļķāļ‡āļĄāļĩāļ™āđ‰āļģāļŦāļ™āļąāļāđ€āļšāļē āđāļ•āđˆāđƒāļŦāđ‰āļāļēāļĢāļĢāļ­āļ‡āļĢāļąāļšāļ—āļĩāđˆāļ›āļĨāļ­āļ”āļ āļąāļĒāđāļĨāļ°āđ€āļŠāļ·āđˆāļ­āļ–āļ·āļ­āđ„āļ”āđ‰āļŠāļģāļŦāļĢāļąāļšāđ„āļĄāđ‚āļ„āļĢāđ‚āļŸāļ™āļŦāļĢāļ·āļ­āļ­āļļāļ›āļāļĢāļ“āđŒāļ—āļĩāđˆāļĄāļĩ āļ™āđ‰āļģāļŦāļ™āļąāļāļŠāļđāļ‡āļŠāļļāļ”āļ–āļķāļ‡ 3.5 āļ›āļ­āļ™āļ”āđŒ (āļ›āļĢāļ°āļĄāļēāļ“ 1.58 āļāļ.) āļ›āļīāļ”āļ—āđ‰āļēāļĒāļ”āđ‰āļ§āļĒāļžāļ·āđ‰āļ™āļœāļīāļ§āļŠāļĩāļ”āļģāļ„āļĨāļēāļŠāļŠāļīāļāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļāļąāļ™āđ„āļ”āđ‰āļ”āļĩāļāļąāļšāļ—āļļāļāđ€āļ§āļīāļĢāđŒāļāļŠāđ€āļ•āļŠāļąāļ™ āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļĄāļ·āļ­āļ­āļēāļŠāļĩāļžāđƒāļŦāđ‰āļāļąāļšāļŠāļ•āļđāļ”āļīāđ‚āļ­āļˆāļąāļ”āļĢāļēāļĒāļāļēāļĢāļ‚āļ­āļ‡āļ„āļļāļ“āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĨāļ‡āļ•āļąāļ§

The On-Stage MBS-LP1 Low-Profile Broadcast Boom Arm provides you with quiet, quick, and easy positioning of your microphone for recording podcasts, broadcasting webcasts and live streams, or participating in remote collaboration. Extending from below instead of above, this style of boom arm reduces visual obstruction for you and your viewers. The industry-standard 5/8"-27-threaded stem at the end of the upper arm accepts a wide range of clips and shock mounts for dynamic and condenser microphones. A camera-mount adapter is included, and the stem also supports other 5/8"-27-threaded accessories such as phone and tablet holders and ring lights. For versatile and precise mic placement, the lower and upper shafts both swivel 360 degrees, while the upper shaft adjusts in angle from straight up to fully horizontal. Plus, the angle of the mounting stem is also adjustable. All of these settings lock in place using tightening knobs to ensure the stability of your equipment. Adjustments can be made on the fly, as the hinges are very quiet. For a neat and organized setup, you can route your mic cable inside the channels in the underside of the arm and hold it in place with the included clips. To attach the base to your desk, table, or workstation, there are two options included: a C-clamp for quick setup and a flange mount. The clamp firmly grips your tabletop or desktop measuring up to 2.5" thick and features rubber padding that protects the finish of your furniture while ensuring slip-free placement. The flange mount screws into your work surface if you prefer a semipermanent installation. You can take this portable accessory with you to performances and recording gigs, as it folds down for compact storage and ease of transportation. Constructed of heavy-duty plastic, the boom arm is lightweight yet delivers safe, reliable support for your mics and devices weighing up to 3.5 pounds. Its classic black finish looks great on any workstation, plus it blends into your broadcast or recording-studio setup to add to a professional presentation.

Features

  • Enables you to reposition your mic quietly for improved audio-production quality  
  • Accepts your 5/8"-27-threaded mic clips, shock mounts, camera mounts, and ring lights 
  • Delivers stable support for your mics, cameras, and other devices weighing up to 3.5 pounds 
  • Keeps your mic cable neat and organized for a professional presentation 
  • Provides you with options for quick setup or semipermanent installation

SPECS

  • Clamp Opening: 0-2.5"
  • Color: Black
  • Includes: Cable-management clips and camera-mount adapter
  • Lower Shaft Length: 13.5"
  • Mounting Stem Threading: 5/8"-27
  • Tubing Outer Dimensions: 1" x 1.14"
  • Upper Shaft Length: 15.5"
  • Weight Capacity: 3.5 lb
On Stage MBS-LP1 Low-Profile Broadcast Boom Arm | āđ€āļšāđŠ āđ€āļ‡āļĩāļĒāļš āđ€āļŠāđ‡āļ‡